Barbara Bell

Barbara’s work explores the tension between intention and surrender through the fluid nature of ink.

Rather than imposing complete control, she collaborates with the medium, responding intuitively to its unpredictable behaviour. This process embraces uncertainty as a creative force, allowing unexpected compositions to unfold through transparency and movement. The paintings become a meeting point between chance and experience, leaving space for the unscripted. Each painting’s uniqueness reflects the conditions of its making. No two can be the same, just as no two lives are shaped by the same relationships and environments.

While each work begins in Barbara’s hands, its final interpretation takes shape through the viewer’s gaze, informed by the depth of their own history and lived experience. In this way, my paintings exist not as fixed statements, but as evolving encounters between artist, material, and audience. They become an apt representation of life.

The works featured in The Edit 2026 are from Barbara’s Moment by Moment Series. They reflect how we experience life, piecing together the moments we experience and rearranging, when necessary, to form the picture that becomes our memory. The memory of those moments are shaped by our relationships, history and perspective and we fit them into a picture that we can live with or learn to live with. It may or may not be accurate, but it will always be ours.


Barbara Bell is an abstract artist who loves to work in the limitless and freeing world of inks.

Exploring her creativity led her to the discovery of this colourful and expressive medium a decade ago. A simple process which, through relationships & interactions, creates stunningly complex pieces that can only be fully interpreted by the viewer, influenced by their personal preferences & experiences in life. She appreciates the unlimited expression of this bold medium, producing work that has been described as suspenseful, intriguing and fascinating.

Barb has been painting for over 50 years, but when she found inks she could have thrown everything else in her studio away. She didn’t, but she says she could have.

She has studied under several local and international artists, and she has an affinity to learn from the early abstract expressionists. Her travels, wherever they take her, include galleries and museums at every locale.

Her paintings, cards, scarves & jewelry can be found in galleries & stores throughout the Okanagan as well as online at www.impressiveart.ca. Her working studio in Lake Country is open for visits.