In this project, Kosar Movahedi approached the exhibition space as a ground for improvisation. Scholar and poet Fred Moten says “improvisation is how we make no way out of a way. How we make nothing out of something.” With this in mind, Kosar sourced photographs from the gallery room and through collage played with common themes in their practice that consider frames, surfaces, and the expectations we have of photography as a medium.

This gallery is a purpose-built space, and like most contemporary art spaces intends to be invisible. For this reason, all the architectural fixtures such as power outlets, vents, and lights are pushed up or down and outside of our sightline. She decided not to add much visual information to this blank horizon and instead highlight its void surface, bringing the attention of viewers to the ignored elements of the room. The resulting work presents itself as a document of the process of rethinking the space through printed photographs. 

The project’s title uses the word ‘folly’ in two meanings: Its common definition of foolishness, as well as referring to ornamental buildings that serve no practical purpose other than enhancing the landscape of a garden or estate. Especially common in 18th Century England and France, these structures often imitated the form of Roman temples, medieval castles, or Gothic towers. This project similarly puts on a gimmick that pokes fun at the indexical notion of photography.

Folly, by Kosar Movahedi will be on view in the Project Gallery from May 10 to June 22 2024. Join us and the artist for an opening reception on May 10, from 6-8pm for a double opening reception alongside Connor MacKinnons CGish in the Main Gallery. Light refreshments will be served. Registration for attendance is encouraged; you can register here.